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BSFC November 1997 Newsletter selections
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New Album by Wolfstone's fiddler Duncan Chisholm
Duncan Chisholm, the fiddler with the band Wolfstone, is a brilliant Scottish
fiddler. His new album is called "Redpoint" and is just now becoming
available in the US, on CD only. I find it to be stirring listening, from the
contemplative airs to the quick tunes. He plays superb pipe marches, with
sharp ornamentation and a solid sound.
Some of the finest fiddlers living in Scotland today are working steadily in
bands, as with last year's Rally guest Charlie McKerron (Capercaillie), Aly
Bain (Boys of the Lough), John Martin (Tannahill Weavers, and formerly Ossian
and Easy Club), Stuart Morrison (Smalltalk, and now the new Ossian), Jennifer
Wrigley (Seelyhoo), Pete Clark (Heritage), to name a few. You don't always
hear about the name
of the fiddler as much as you hear the band's name. Now we can clearly hear
one of Scotland's best fiddlers on his new solo album. "Redpoint" will be
available at our next meeting, or you can ask for it by mail from the Fiddle
Club bookstore.
- Ed Pearlman
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Skyedance Concert Review
I wouldn't buy a Skyedance recording. It's a bit too far from the
traditional for me, and if I were outside the hall where a Skyedance
performance was taking place and were unaware of who was playing, the sound
would make me consider better things to do with the evening.
But, you know, when I attended the October 3rd Skyedance Concert at Massasoit
College, two hours passed in what seemed like only a half hour. Alasdair
Fraser, the great Scottish fiddler, (did I need to say that) is magic. That
sometime 'minimalism...ah...new age' (why play dozens of notes when 5 will do)
was overlooked while watching Alasdair for what would happen next. If the 'new
age' territory is to be explored, latch on to Alasdair as your tour guide.
Moreover, not more than 10 minutes into the show an uncanny flashback to more
vulnerable days (late 40's, very early 50's when Moira Shearer introduced a
skipping heart beat into my life) took place. In the guise of Moira, our own
great genius of the dance, Laura Scott, appeared from nowhere to raise
dance innovation to, for me, another new height. Laura you need to let your
hair down, literally, more often. (By the way, Moira was born in Scotland.
See the movie 'Red Shoes' to know what my memory is all about). Thanks Laura
for the return of a wonderful heart malady and memory.
The pride of having Alasdair in our own backyard gave notes file account of
the Skyedance performance the next evening at Drexel U. in Philadelphia. At
the end of the performance the Swarthmore Dance Club came from the audience to
dance to Dei'l Amang.... Alasdair did invite the Massasoit audience down to
Philadelphia and we should have gone.
But, you know, they didn't have Moira Shearer or Laura Scott!
Superb musicians all, the Skyedance 5 shouldn't be missed.
- Norman Nichols
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Recap of the October 12th Fiddle Club Meeting
The gathering for the first meeting of our 17th year seemed a bit sparse at
first, perhaps due to the earlier starting time. But by the end of the
afternoon workshop, a nice crowed of about fifty
players and listeners had gathered.
We started the afternoon with some new tunes, "Where Gadie Rins" and
"Kindness Forever Mair." ("Kindness" is alslo called "Wantoness," with lyrics
by Robert Burns.) Ed played a CD by Ian F. Benzie (of Old Blind Dogs), on
which Ian sang both "Wantoness" and "Where Gadie Rins." The other new tunes
for the year were "As I Was Kissed Yestere'en," Lady Douglas of Bothwell,"
"Ben Nevis," and "The Boatman of Pitnacree."
Before the potluck supper, Ed acknowledged the hard work of those who have
served on the fiddle club and introduced some of the current board members,
including Mike Falkoff who is serving as chair and Tom Moscarillo who is
working on publicity for the club.
After another delicious potluck dinner, a large group spontaneously gathered
in the front of the hall and started a session. An open mike followed in
which we heard Steve Cushing on fidola playing two Appalachian tunes he
learned at the Valley of the Moon this summer and Nathan Silva on pipes. Ellen
Mastenbrook played "Hector the Hero," on fiddle followed by Julia and Alanna
Tryder contributing a medley of tunes on twin fiddles.
And finally: no that wasn't yet another set of female twins you saw that
evening. That was just me and Carol MacComber, dressed eerily alike-even our
hair was done the same way.
- Phyllis Lindsay
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MUSICMAKER'S KITS, INC.
http://www.musikit.com/kits
info@musikit.com
By Richard Dillon
If you are a musician who like me has always had a passing interest in
woodworking but not a lot of skill, you might want to explore Musicmaker Kits'
catalogue or web site to see if something there meets
your fancy and capabilities. The company offer instrument-making kits for
guitars, harps, mandolin, and banjos as well as more uncommon instruments such
as hurdy-gurdies, hog-nose psalteries, and love flutes. For more experienced
craftspeople desiring to build an instrument with wood they select themselves,
the company provides blueprints and hardware packs for constructing all the
instruments mentioned above as well as for the violin.
Last April, I began making a teardrop mandolin from a kit purchased from a
kit purchased from Musicmaker's. Thus far, I have enjoyed the process of
building the mando: discovering how to shape the instrument's neck, how to
affix the frets to the fretboard, and how to apply a finish to the instrument
to enhance its beauty but not deaden its sound.
As I write this article, the instrument is about two hours from completion.
Though I am certain I will have an easier time building my second mandolin if
I am not satisfied with the finished product of my first attempt, I am just as
likely to undertake another instrument-making project in the future purely for
my own enjoyment.
I will bring along Musicmaker's fall '97 catalogue to the November 9 fiddle
club meeting for those interested in seeing the company's offerings and
prices. Also, I promise to bring in my mandolin to a future meeting to show
off the fruits of my labor.
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New England Scottish Fiddling News Brief
Last September at the Loon Mountain Highland Games in New Hampshire, fiddle
club member Steven Cushing entered the "other-instruments" competition in New
Hampshire with his fidola {five-string viola) and won a medal for most
original interpretation of a two-tune{strathspey+ reel) set.
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More Musical Reflections of Scotland
Ossian Publications
A Review of a Tune Book
by Richard Dillon
Are you a beginning pianist looking for some nicely arranged traditional
Scottish Music designed for musicians at your level? Or are you a fiddler or
other instrumentalist studying a second instrument and looking for some easy
material? If so, this book will probably interest you.
This slim text filled with 25 Scottish airs and dance tunes arranged for
piano and other melody instruments is the companion volume to the first volume
in the series: Musical Reflections of Scotland. Nicely illustrated with
Scottish landscapes and personages, this book contains such favorites as Auld
Lang Syne, Skye Boat Song, and Loch Lomond and less familiar tunes such as
Mary Scott, Flower of Yarrow (a minuet), Count Brown's March and MacPherson's
Farewell.
Many of the tunes are scored in fiddle-friendly keys: A, G, and D. For
variety's sake, there are a few airs in the key of F, as well. Whether you are
just learning the piano, fiddle, guitar [the book also contains chord symbols]
or concertina. I think you will find this book a pleasant addition to
your sheet music library. This book can be ordered from the Fiddle Club Book
Store.
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NEWSLETTER NOTES
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Submit information on noteworthy Scottish musical events suitable for the
concert calendar to editor Richard Dillon at richarddillon@msn.com three weeks
prior to each fiddle club meeting.
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Please provide us with the names and addresses of any newsletters which you
think would be interested in printing our promotionals material. Tom
Moscarillo fiddle club board member.
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Sharing Favorite Scottish/Cape Breton Tunes at Afternoon Workshop. Last year
a few members researched a favorite Scottish or Cape Breton tune and then
presented the tune during the afternoon workshop to members. Let's keep this
tradition going! Find out some historical background on a tune and bring in a
recording to the workshop to share with others. For more information talk to
Ed Pearlman or Richard Dillon on a Sunday meeting.
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CALENDAR OF EVENTS
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Sat Nov 15- Tony Cuffe. Beacon Hill Coffeehouse, Church of the New Jerusalem.
140 Bowdoin St. Boston. 8 pm. $8. Easy walking distance from Park Street T or
Government Center T. 617-891-1497.
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Sun Nov 16 -Battlefield Band - Iron Horse, 20 Center St., Northampton, MA
(413) 584-0610
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Thurs Nov 20- Battlefield Band - Palace Theater, 80 Hanover St., Manchester
NH (603) 668-5588
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Sun Nov 22- Battlefield Band - Providence Public Library, Corner Empire &
Washington St. (401) 729-1880.
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Sat Nov 22--Ceilidh of music & dance open to all at Park Ave. Congregational
Church, corner of Paul Revere Rd and Park Ave in Arlington Heights. 7 pm, $3
donation.
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Twilight on Tweed *
Three crests against the saffron sky
Beyond the purple plain
The kind remembered melody
of Tweed once more again.
Wan water from the Border hills,
Dear Voices from the old years,
Thy distant music lulls and stills,
And moves to quiet tears.
A mist of memory broods and floats,
The Border waters flow,
The air is full of ballad notes,
Borne out of long ago.
Old songs tht sung themselves to me,
Sweet through a boy's daydream,
While trout below the blossomed tree
flashed in the golden stream
Twilight, and Tweed, and Eildon Hill
Fair, and tood fair, yo be;
You tell me that the voice is still,
That shold have welcomed me.
*Andrew Lang (1844-1912)
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